BUDGET PLAN TY 04

BUDGET PLAN TY 04

TY 04  <<烏蠅>>

LOCATION：灣仔平CAN廚房，伯大尼惠康劇場
SHOOTING TIME ： 27－28/3/2016
LIGHTING : DAYLight (indoor/ mix)

Camera: 
$ 2500             CANON C500 Camera Set  ,24-70, 16-35, 70－200, 85 Lens
$ 500               Tall Tripod + Short Tripod+ Hi-Hat
$ 500               Track Straight  X4 ,Track Curve X3 , Platform Dolly  X1
$ 3000             Steadicam 
$ 500               17" HD LCD MONITOR ＄1000             wireless link

＄1000               wireless SDI video link
＝＄9000





Lighting:
$600                 LED Panel X 3
$ 130                650w x 2
$ 200               48” SINGLE BANK KINO FLO
$ 600               JEM BALL 22” 1K x 2
$ 60                 004 X6
$ 270              C-Stand Set X9
$100                4 WAYS POWER EXTENSION x 5+ 1 WAY POWER EXTENSION x 5
$ 80                 Sandbag X8
$300                32A cable x6
$40                  32Ycord+16Ycord 
$60 16A to 13A adapters x 6
$60 4-way extension x 6
$720                12 x12 butterfly set with frame
$550      ARRI 575 
$700       M 18 
$1000     800 joker

 ＝$ 5470




GRIP:
$ 30                 手夾X 3
$ 40                 鷹爪 X 4
$ 40                 天花夾X 4
＄45                24”X36” Flag X3
＄100              48“X48“ Flag X4
＄25                24“ x 36” Silk
$ 20                 Single Net
$ 25                 Double scrim
＄ 60               Apple box set x 2


 =  $385

Crew:

$3600             camera assistants x 2

$3300             Gaffer

$3000             Best boy x 2

$2000             Grip x 2

= $ 11900 x 2days 

=$ 23800

 Total = $38655


以上報價以SALON FILMS 作參考。

7 Quick Production Tips for Film and Video Professionals

在學校的拍攝當中，機燈組經常性和製片組有磨擦，我們同學之間也有再三討論過如何可以磨合。 問題許多時出於，機燈組可能事前預備不足，或突發事情，機燈組在先天要處理解決現場問題時，要試圖去處理問題時製片組的幫助是十分重要；但製片組的工作重於事前的安排，預備。前者和後者在突發與準備之間就有所磨擦。

在拍攝當中，除導演要處理選擇在作決定外，攝影是首當其衝最觀察性了解現場和處理問題，但在學校的分工中，許多時人手多大家會缺乏去了解各崗位的任務。 而言當自己要去處理問題時，從簡單，低成本，直接解決問題下，能幫助自己去處理攝影上的問題之外，預備充足，去幫助簡化事情，是為大圍最理想的工作方法。

FILMMAKING

Running out of time and money? These quick and easy filmmaking tips and DIY production hacks just might save the day.

Image via Paramount

As any filmmaker or videographer can tell you, the real job of the production crew is to solve the various daily challenges that inevitably arise on set. Because believe me, there are always going to be challenges — and you will have to be prepared.

The best way to be prepared for potential issues is to stay flexible and creative. With that said, let’s take a look at a few handy production quick tips and DIY hacks that just might save the day on your next shoot.

1. Don’t Scout a Location By Yourself

Location scouting is a very important part of the production process. When you’re ready to scout your next potential film site, make sure you take the production manager/designer, cinematographer, and audio supervisor. You want these members of the crew there in order to judge if the location is manageable, filmable, and void of overwhelming noise pollution. They’re the experts — listen to what they say.

Video via Film Riot

2. Use a 3D Printer for Small Props

If you find yourself lacking a specific prop, don’t fret. 3D printers are a practical and increasingly common solution. In fact, as wild as it sounds, many of the props you saw during Star Wars: The Force Awakens were printed with a 3D printer. Check out this article from Scott J Grunewald about 3D prints in the latest Star Wars.

Video via Tippett Studio

3. Make It Rain

Does a scene in your film call for rain? Well, until weather-control technology improves, you’re just going to have to fake it. Fortunately, one of the most common artificial weather effects in film is rain.

As seen in the top image, the production crew from Noah used a massive rain rig for certain scenes in the film. While this setup is incredibly expensive, there are far more cost-effective options for indie filmmakers. If you need a cheap DIY rig, check out this video tutorial from Tom Antos and find out how to make it rain for around $15.

4. Use a C-Stand to Capture Sound

If you’re going it alone on your next shoot, but still need a hand with audio, then get a C-stand and a boom holder. With these two pieces of equipment, you can set your boom pole and mic up wherever you see fit.

This technique is great for interview scenes in a documentary film. The setup can also be used on narrative film sets, though its advantages are far less. You can get your hands on an Auray Boom Pole Holder for around $40 and an Impact C-Stand for around $142.

Image via Filmmaker IQ

5. Move Your Camera With a Furniture Dolly

When looking over your shot list and script, you’ll find scenes that call for the camera to move within the space. Now, you can capture this movement with a slider, Steadicam, or dolly track. However, these options all cost considerable cash.

If you’re low on funds (and filming on a fairly smooth surface), then head over to your local Home Depot for a furniture dolly. Place your camera and tripod on this $20 tool and get a decent moving shot for very little money.

Image via My Repurposed Life

6. Create Movement Without Moving

Known as the “Poor Man’s Process,” this is an easy way to capture car movement without ever putting the car in gear. As you’ll see in the video below, the Poor Man’s Process is where you leave the car stationary within the space, but you simulate movement by way of lights and other effects.

These other effects could include using a large fan alongside artificial rain or fog or anything that creates a sense of movement without actually moving the car. Filmmakers have been using this techniques for ages — it’s incredibly effective and allows you to visually control the scene much easier, versus filming in a moving car.

Video via WriterDirector

7. No Lights? Use a Window and a Reflector

I’ve always liked natural lighting. I try to incorporate it as often as possible, versus using a set of lights. One way to do this is through a window. Using a window can be fantastic, especially when you add a reflector into the mix. The video below from The Slanted Lens demonstrates how to effectively use natural window light to capture amazing imagery.